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John Oswald (composer) : ウィキペディア英語版 | John Oswald (composer)
John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer. His best known project is ''Plunderphonics'', the practice of making new music out of previously existing recordings (see sound collage and musical montage). ==Philosophy== Oswald coined the term "plunderphonics" to describe his craft in a paper called ("Plunderphonics, or Audio Piracy as a Compositional Prerogative" ) which he presented at the Wired Society Electro-Acoustic Conference in Toronto in 1985. Inspired by William S. Burroughs' cut-up technique, Oswald had been devising plunderphonic-style compositions since the late '60s. In an interview with Norman Igma following the release of the Plunderphonics EP in 1988, he described the concept as follows:
''A plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded. Whistling a bar of "Density 21.5" is a traditional musical quote. Taking Madonna singing "Like a Virgin" and rerecording it backwards or slower is plunderphonics, as long as you can reasonably recognize the source. The plundering has to be blatant though. There's a lot of samplepocketing, parroting, plagiarism and tune thievery going on these days which is not what we're doing.''
Plunderphonics is related to but distinct from sampling used in genres such as hip-hop.
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